even*cleveland View RSS

A collection of themes, begun in 2008.
Hide details



sunday tune: the tubs - narcissist 4 May 7:29 AM (2 days ago)

Add post to Blinklist Add post to Blogmarks Add post to del.icio.us Digg this! Add post to My Web 2.0 Add post to Newsvine Add post to Reddit Add post to Simpy Who's linking to this post?

flowers for mothers (not medals) 2 May 5:11 PM (4 days ago)




























A piece of art you make by tracing flower shadows.

Pansies for thoughts: Anntian g-mallows t-shirt.

A blank journal by IDEA, with photographs of Shozo Sato's ikebana scattered throughout to encourage words to bloom, or a book about finding flowers (a favorite).

Nonfiction "Open Arms" perfume, "an interpretation of a healing moment, nurtured with elements of nature’s vitality and caring gestures. Ripe fruits, sweet flower blossoms, fresh green leaves from nascent branches, and crushed peels are condensed to create a fresh, bittersweet essence." (A fresh, bittersweet essence is exactly how I'd describe motherhood.)

Garden notecards by Jane Ormes at Bari Zaki.

John Julian x Sarah Lucas classical mug, for coffee flavored with whimsy.

length of floral embroidered ribbon from Minnieolga, to tie in her hair or use as a bookmark.

A long basket by kaaterskill market and a pair of snips, for bringing home bouquets. 

Clogs green as grass.

A tea towel that looks like a meal of flowers or actual petals to eat (The Quiet Botanist's matcha rose chocolate bar). 

Spiritual Objects golden flower necklace, for everyone and anyone called to mother, in whatever form that takes.

*

(This is the medal I am talking about; absolutely repugnant.)

*

Related posts: choosing motherhood / what's possible / true colors

Other gifts some mothers may enjoy: 2017 / 2018 / 2019 / 2020 / 2021 / 2022 / 2023 / 2024

Add post to Blinklist Add post to Blogmarks Add post to del.icio.us Digg this! Add post to My Web 2.0 Add post to Newsvine Add post to Reddit Add post to Simpy Who's linking to this post?

imaginary outfit: a rainy saturday walk in paris 21 Apr 6:56 AM (15 days ago)

 


I spent the last two weeks of March in Paris—one week with my mom and sister, one week with Sean and Hugh. On the Saturday that fell in the middle, my sister and mom woke up early to leave for the airport, and Sean and Hugh were scheduled to arrive sometime later that afternoon. So after I got the rental apartment in order, I dropped my bags at a luggage locker. Then, the morning was mine. 

I needed to cross the river to get where I was going: the Musée de Minéralogie, a 200-year-old wonder-cabinet of rocks, gems, and minerals tucked inside the École des Mines, and the Jardin des Grands Explorateurs. After a cold and sunny week, the rain was falling light and steady, but the air was warm. As I walked, I looked. I saw a woman in a boldly striped ankle-length grass-green and navy slicker chatting with a butcher in a shop aglow with pink neon. Nearby, a masted ship carved in stone was frozen in full sail above the door of a boy's school, a comic book shop promised stories for heros, and ancient saints with woebegone faces leaned on each other in the arch around the doors of a weathered church. Tucked in a little alley I looked into shop windows full of glass-tipped pens and prune-colored ink, rings heavy with old intaglios, and silvery Japanese papers. There was a poetry bookstore with simple wood shelves that I coveted (I went back later to get a closer look at those). 

I kept walking, headed toward the flower market. I saw a man riding a bike with two umbrellas open; one over his head, but the other angled over the handlebars, like some sort of mutant turtle. I passed the big old clock; blue, spattered with gold, with a face like the sun and two serene women presiding over the time, wielding sword and scale. I passed lines of people waiting in the rain, patiently waiting to see splendor, and walked on along the wide streets. I passed through a small park littered with the remnants of an old church; it's there you find the oldest tree in Paris. I wandered through a cold, clammy church, dark with stone pillars, then past big bookstores promising sales and high street shops with rainwashed fronts. I saw the backside of a medieval garden and walked through a market with bricks of nut-studded nougats stacked like cinder blocks. I saw a second clock, much smaller,  behind a fogged pane of glass set into an alcove in the thick, creamy walls of the Sorbonne; it was near a statue with a lipsticked mouth, garish against the stone. And eventually I found where I was going, after entering a glassed vestibule watched by a friendly guard and wandering austere school halls marked with noticeboards. I turned a corner and found myself facing a startlingly grand staircase surrounded by murals depicting ice caves and other geologically sublime places. I rang the bell and bought my ticket. I spent longer than I expected looking at the specimen samples, but also at the beautiful blond wood cases, with slanted glass tops, some protected by lids, that stretched on from room to room to room. Tall windows overlooking the Jardins du Luxembourg were thrown open and the rooms smelled of rocks, rain and wood; I caught glimpses of the Eiffel Tower behind a scrim of cloud. 

As I was leaving, I found a locked door—through its glass pane, I could just see a peek of the skylit library, closed that day.  I walked out through the gardens; by then, the sun had appeared, and the famous pale green chairs scattered throughout the grounds were filling up. The air smelled like hyacinths. I made it to the Jardin des Grands Explorateurs and ambled all the way to the massive bronze turtles sunning themselves in the dry fountain bed. Then it was time to meet my guys, so I turned back. But I made sure to visit the bees along the way; I first stumbled across them by accident more than twenty years ago and hoped that I would find them again this time. It felt good to know that they are still there. 

*

Rachel Antonoff Marie the Baguettes Madison slicker / ventilated Calzuro clogs / Two New York sweatshirt / COS slouchy pants / Kathryn Bentley fish studs / Sapir Bachar gold eternity beads necklace / Manicurist nail polish in Hollyhock (I bought this in Paris and have been impressed by how well it holds up) / Nizū Kanū x Niwaki rucksack / The Common Toad and other Essays by George Orwell / Bresciani socks, colored like the iridescent oil slick on a puddle.

Add post to Blinklist Add post to Blogmarks Add post to del.icio.us Digg this! Add post to My Web 2.0 Add post to Newsvine Add post to Reddit Add post to Simpy Who's linking to this post?

odds and ends / 3.31.2025 31 Mar 8:06 AM (last month)

 





Frank Wilbert Stokes, "The Sun’s Rays, Sidney Herbert Bay and Joinville Land, South Pole, Feb. 10, 1902." Via subterranean thunder.

*

Found text via stopping off place.

*
What was being contrived at the time was the abolition of all dissent or nuance, with narrow-mindedness elevated to a universal principle, and betrayal the new public morality.

W.G. Sebald, translated by Jo Catling. From Silent Catastrophes (excerpted in Book Post). 

*
Flooding the ether with bad ideas isn’t Trump’s unique know-how—it’s standard autocratic fare. Hannah Arendt used the word “preposterous” to describe the ideas that underpinned 20th-century totalitarian regimes. Bad ideas do a lot of the work of building autocracy. By forcing us to engage with them, they make our conversations, our media and our society dumber. By conjuring the unimaginable—radical changes in the geography of human relationships, the government and the world itself as we have known it—they plunge us into an anxious state in which thinking is difficult. That kind of anxiety is key to totalitarian control.

Life under autocracy can be terrifying, as it already is in the United States for immigrants and trans people. But those of us with experience can tell you that most of the time, for most people, it’s not frightening. It is stultifying. It’s boring. It feels like trying to see and breathe under water—because you are submerged in bad ideas, being discussed badly, being reflected in bad journalism and, eventually, in bad literature and bad movies.

Masha Gessen, "The Barrage of Trump's Awful Ideas Is Doing Exactly What It Is Supposed To." The New York Times, 2/15/2025.

*
Interruption, incoherence, surprise are the ordinary conditions of our life. They have even become real needs for many people, whose minds are no longer fed . . . by anything but sudden changes and constantly renewed stimuli . . . We can no longer bear anything that lasts. We no longer know how to make boredom bear fruit. So the whole question comes down to this: can the human mind master what the human mind has made? 

Paul Valery, quoted as the epigraph in Zygmunt Bauman's Liquid Modernity.

To put it bluntly, under conditions of ‘liquidity’ everything could happen yet nothing can be done with confidence and certainty. Uncertainty results, combining feelings of ignorance (meaning the impossibility of knowing what is going to happen), impotence (meaning the impossibility of stopping it from happening) and an elusive and diffuse, poorly specified and difficult to locate fear; fear without an anchor and desperately seeking one. Living under liquid modern conditions can be compared to walking in a minefield: everyone knows an explosion might happen at any moment and in any place, but no one knows when the moment will come and where the place will be. On a globalized planet, that condition is universal—no one is exempt and no one is insured against its consequences. Locally caused explosions reverberate throughout the planet.

Zygmunt Bauman, Liquid Modernity.

*
Hard times are coming, when we’ll be wanting the voices of writers who can see alternatives to how we live now, can see through our fear-stricken society and its obsessive technologies to other ways of being, and even imagine real grounds for hope. We’ll need writers who can remember freedom—poets, visionaries—realists of a larger reality. ...  
We live in capitalism, its power seems inescapable—but then, so did the divine right of kings. Any human power can be resisted and changed by human beings. Resistance and change often begin in art. Very often in our art, the art of words.

Ursula K. Le Guin, "Speech in Acceptance of the National Book Foundation Medal for Distinguished Contribution to American Letters." November 19, 2014. Copyright © 2014 Ursula K. Le Guin.

*
A writer can’t not respond to the present, because it’s the only thing that’s actually here. A writer can’t be anyone other than themselves. But an obsession with raw surging nowness or authentic personal experience can often just feel like an excuse for incuriosity. If mainstream literature shows it’s possible to be deeply incurious while maintaining a superficial commitment to diversity, alt lit shows that a superficial commitment to being countercultural and different doesn’t guarantee much either. There is probably no shortcut to a better literature, but a start might be writing that tries more ambitiously to escape its own confines, expanding into the large and sensuous world we actually inhabit, in all its contradictory and ironic dimensions. This writing would take a genuine interest in other people, other eras and other ways of being. 

Sam Kriss, "Alt Lit." The Point, 2/4/2025. 

*
chronoclasm
(plural chronoclasms). From Ancient Greek χρόνος (khrónos, “time”), and κλάστης (klástēs, “a person who breaks something”); from κλάω (kláō, “break”).

 1. The intentional destruction of clocks and other time artifacts
 2. (politics) The desire to crush the prevailing sense of time, due to a conflict regarding the fixation of linear time in a community

*
Time lives in the body, not as the tick of the clock, but as a pulse in the blood. It is a thought, buried deep in nerve, leaf, and gene. It is also a social contract, one we adjust according to different needs, whether for daylight saving or simply setting a watch five minutes fast to avoid being late. Yet, as philosopher Michelle Bastian has recognized, our habitual ways of telling time have their limits. 'While the clock can tell me whether I am late for work,' she writes, 'it cannot tell me whether it is too late to mitigate runaway climate change.' She suggests that, as our usual ways of telling the time flounder, perhaps other living things might become our 'time-givers' instead.

David Farrier, "Wild Clocks." Emergence, January 23, 2025. 

*
What tense would you choose to live in? I want to live in the imperative of the future passive participle—in the ‘what ought to be.'

Osip Mandelstam, Critical Prose and Letters

*

Saturday plans:
Donald Trump and Elon Musk think this country belongs to them. They're taking everything they can get their hands on, and daring the world to stop them. On Saturday, April 5th, we're taking to the streets nationwide to fight back with a clear message: Hands off!

Add post to Blinklist Add post to Blogmarks Add post to del.icio.us Digg this! Add post to My Web 2.0 Add post to Newsvine Add post to Reddit Add post to Simpy Who's linking to this post?

february 28, 2025 / "this is our first action" 24 Feb 8:04 AM (2 months ago)


I think there’s a fake fantasy of solidarity that is like the rainbow: one of you, and one of you, and we’re all happy and we all look alike and we’re all together, and that’s really not what it is. It’s a fraught and constantly shifting series of relationships. And as much as it is a fantasy, it is also an absolute necessity because at least in the United States, change only comes from coalition, and if you’re out there on your own, you cannot transform the society. ...

ACT UP had a radical democracy structure in which people were allowed to disagree and they could function in separate spheres as long as they adhered to the one-sentence statement of unity, which was “direct action to end the AIDS crisis.” If you were doing direct action to end the AIDS crisis, really you could do anything. And the key to ACT UP was that they did not try to force homogeneity of analysis or strategy. Instead, there was simultaneity. So it’s not about compromise, it’s about coexistence—or as the Palestinians call it, co-resistance. ...
 
Activism is about opening a door that makes it possible for people to be effective where they’re at.
 
Sarah Schulman, interviewed by Sally Tamarkin for them, 12/15/2023.

*

From Newsweek:

As a response to the [Trump Administration's] DEI rollbacks, the People's Union is planning a 24-hour economic blackout all day on February 28, beginning at 12 a.m.

During this time, participants are pledging to not make any purchases either online or in brick-and-mortar stores.

The People's Union is targeting Amazon, Walmart and Best Buy, but the group is also asking boycotters to refrain from spending money on fast food or gas, as well. 
If consumers must make purchases, they are asked to buy only from small, local businesses.

The article also includes this quote from Kevin Thompson, founder and CEO of 9i Capital Group:
"History has shown us this—our ancestors leveraged economic pressure in 1955 during the Montgomery Bus Boycott, which lasted far longer than a single day and led to real systemic change," Thompson said. "While the impact of a one-day boycott may be limited, its true power lies in mobilizing a like-minded community. If this initiative sparks a larger movement, its long-term influence could extend far beyond February 28.
*

Details from The Peoples' Union: 

WHY THIS MATTERS
  • Corporations and banks only care about their bottom lines.
  • If we disrupt the economy for just ONE day, it sends a powerful message.
  • If they don't listen (they won't), we make the next blackout longer (we will).
This is our first action.
This is how we make history.

*

Image of a Diane di Prima button found at art predator.

Add post to Blinklist Add post to Blogmarks Add post to del.icio.us Digg this! Add post to My Web 2.0 Add post to Newsvine Add post to Reddit Add post to Simpy Who's linking to this post?

'as if a swan sang' 10 Feb 7:46 AM (2 months ago)



















Hao Boyi, "Love for the rinsing," 1991. Woodblock print. Via le jardin robo

*

John Scholl, "Snowflake" on stand.⁠ Germania, Pennsylvania, circa 1907-1916. Via David Schorsch.

*

Photo of the swan-bedecked ceiling in the Palacio Nacional de Sintra's Swan Hall by Katie Armour.

*

John Hollander's "Swan and Shadow" shape poem, 1969. Via Anabela.

*

Hans Christian Anderson paper cut-out of Pierrots balancing on swans, 1820-1875. The Met.

*

Girl feeding swans in the Bois de Bologne, Paris, ca. 1930. 

*

Anna Stokes, "White Wall-Mounted Swan," in the collection of CoCA/York Gallery.

*

Swans covering Joy Division's "Love Will Tear Us Apart."

*
 ... Come, then, and let us walk 
Since we have reached the park.
It is our garden, 
All black and blossomless this winter night, 
But we bring April with us, you and I; 
We set the whole world on the trail of spring. ...

Look at the lake — 
Do you remember how we watched the swans 
That night in late October while they slept? 
Swans must have stately dreams, I think.

Sara Teasdale, from "A November Night."


Me elsewhere: Delighted to be among these seven swans on Catbird's site.


See also: the clatter of their feathers / gunshot orinthology / the dying swan / 'their hearts have not grown old'

Add post to Blinklist Add post to Blogmarks Add post to del.icio.us Digg this! Add post to My Web 2.0 Add post to Newsvine Add post to Reddit Add post to Simpy Who's linking to this post?

sunday tune: portishead - roads 9 Feb 11:53 AM (2 months ago)

 

Oh, can’t anybody see?
We’ve got a war to fight
We’ve never found our way
Regardless of what they say

Add post to Blinklist Add post to Blogmarks Add post to del.icio.us Digg this! Add post to My Web 2.0 Add post to Newsvine Add post to Reddit Add post to Simpy Who's linking to this post?

do what you can / what you can do is enough 7 Feb 10:52 AM (2 months ago)

If you are watching the news right now, and you are feeling overwhelmed by all of the constant headlines ... first of all, know that you are not alone. Second of all, know that this is exactly what this Administration is trying to get you to feel ... The first order of business is to self-regulate. What authoritarian regimes try to do is that they often try to what is known as "flood the zone"—to do so much at once that you feel overwhelmed and paralyzed. It's important for you to understand that the paralysis and shock that you feel right now is the point. They are trying to induce a state of passivity among the general public, so it is of personal importance for you, and it is also of political importance, to take a breath.

Representative Alexandria Ocasio-Cortez, from her 2/3/2025 Instagram Live. The post title also comes from this video.

*
The flood is the point. The overwhelm is the point. The message wasn’t in any one executive order or announcement. It was in the cumulative effect of all of them. The sense that this is Trump’s country now. This is his government now. It follows his will. It does what he wants. If Trump tells the state to stop spending money, the money stops. If he says that birthright citizenship is over, it’s over.
Or so he wants you to think. In Trump’s first term, we were told: Don’t normalize him. In his second, the task is different: Don’t believe him.

Ezra Klein, "Don't Believe Him." The New York Times, 2/2/2025. 

*
Helplessness is a current that drives you hard and tries to drag you under. If you fight it, you will drown. But you can swim with it. And by swimming with it, you can find the little gaps that separate "almost powerless" and "almost nothing" from "powerless" and "nothing." You can focus on those hard, and you can make the absolute most of them.

Many have described Trump’s repeated policy blows as a “shock and awe” strategy. While the description is apt, it’s important to remember the objective of shock and awe attacks: to overwhelm a target, distort their perception of the battlefield, and destroy their will to fight.

When your enemy wants you disoriented, your ability to focus is an important means of self-defense. What matters to you in this moment? Most of us can meaningfully dedicate ourselves to one or two causes, at the most. What can you commit to doing something about? Where do you get trustworthy information about those subjects? Who do you connect with when deciding what to do about what you’ve learned? Is there an organization whose resources you will employ or whose calls to action you will answer? Do you have a friend group or solidarity network that will formulate a response together? Answering these questions is key to steadying yourself in these times. Remember: Vulnerable people don’t need a sea of reactivity right now. They need caring groups of people who are working together to create as much safety as they can. We need to create a rebellious culture of care. That will take focus and intention. It will take relationships and a whole lot of energy.

Kelly Hayes, "A Brutal Beginning: Orienting Ourselves Amid the Shock and Awe." Organizing My Thoughts, 1/21/2025. 

*
We’ve seen people rich and powerful enough to stand on principle cave and kiss the ring, seen huge corporations who likewise have the resources to have some integrity knuckle under, seen universities choose to veer right to please the incoming president, seen news organizations soften up outrageous violations and cruelty with bland and evasive language.

They’re cowards. They’ve chosen craven advantage over courageous principle. But they alone cannot legitimize and normalize this regime. What will normalize it is if we all go along with it. Not going along with it, not pretending this is normal, not pretending human rights violations are anything but, not forgetting that the regime is attempting to make epic and unprecedented changes that dismantle our democracy: that’s up to us. Not only with how we organize and act, but how we talk and how boldly we talk.

I learned something new about animal behavior last week, and it seems really timely. A reindeer cyclone is when a herd of reindeer facing a predator put the calves in the center and whirl around fast, making it difficult to impossible for the predator to pick off one reindeer. The more of us who speak up the harder it will be to persecute any single person who says trans rights are human rights or what’s being done to immigrants is terrorism. It’s not the only example from the animals. When threatened, musk oxen likewise circle up, facing outward with their huge horns, calves again in the middle of the ring.

Some say that murmurations—those beautiful flights of thousands of starlings undulating and pulsating as they whirl through the sky together—create flocks that are hard for predators to attack. There’s safety in numbers, which is why a lot of prey animals move in herds and flocks and schools. For those who dissent from what this new administration intends to do, we may sometimes be able to surround an Ice van or march by the thousands, but every time we dissent we make room for others to dissent. Courage, like fear, is contagious. For a lot of us, right now, we get to choose, and what we choose has an impact on what others choose.

Rebecca Solnit, "Fighting for justice doesn't have to be a big dramatic act. It can be small." The Guardian, 2/2/2025.


"Nonviolent protests are twice as likely to succeed as armed conflicts—and those engaging a threshold of 3.5% of the population have never failed to bring about change."


Add post to Blinklist Add post to Blogmarks Add post to del.icio.us Digg this! Add post to My Web 2.0 Add post to Newsvine Add post to Reddit Add post to Simpy Who's linking to this post?

the eye of the duck 17 Jan 5:03 AM (3 months ago)


I saw this interview in 1999, around when "The Straight Story" came out, and it totally changed how I look at/understand art/the world. I am always looking for the eye of the duck.

Rest in peace, David Lynch.


Add post to Blinklist Add post to Blogmarks Add post to del.icio.us Digg this! Add post to My Web 2.0 Add post to Newsvine Add post to Reddit Add post to Simpy Who's linking to this post?

imaginary outfit: perpetual flurry 15 Jan 12:57 PM (3 months ago)

 


It's been snowing a little every day, and when I look outside, I see stories being rewritten. Or maybe what I am seeing if forgetting. Over and over, paths soften and blur; the cuneiform prints of small creature feet disappear. Almost every trace of where we've been is gone. But because we have been in a cycle of freezes and thaws, and because we've only gotten an inch or two at a time, it's never quite a clean page. Under the fresh fall, crusted ice captures yesterday's footsteps, frozen into trip hazards, marked by gentle dimples.

I've felt low-key disoriented since the election, like I've somehow gotten lost in a familiar place. If I keep my focus very close—birds at the feeder, faces at the dinner table, pen on paper, the river freezing, snowflakes falling—I know where I am. But then, I read the news, and the nausea comes, because the bigger stories are splintering, and things that should be remembered are forgotten, covered over by the relentless more, more, more of the present.

Once, in a very different context, my friend Abbey wrote about her grief about losing the adults in the room—the calm voices and wise minds of earned authority, the trusted experts, there to offer a hand up to understanding. They are almost impossible to find now, lost in a blizzard of takes and anxious posturing and calls to subscribe and junk misinformation and vacuous AI content. It's a perpetual flurry.

But the real snow still falls, for now, at least. And each time it falls, I fall under its spell, enjoying the illusion that the old world can be made new. When I took the dog out the other night, the snow was coming down heavy, and even though the sky was dark, the air was white: there was a strange light, and because I could feel the flakes coming down, icy feathers brushing against my face, my awareness of my body in space was heightened. It was like being in water, that swirl of white darkness. And when we walked back to the door, the dog stopped, so I stopped, too. Through the scrim of snow, I could just see the smudged shadow-bodies of two deer, running through my neighbor's yard. I imagine they were looking for somewhere safe. The coyotes are out.

*

Is the new year a clean page? Not really, I think, but it not a bad excuse for trying different things. I'm practicing French verbs, making Victorian puzzle purses, and reading massive Japanese crime novels.

*

Knitbrary cardigan (past season; I am hoping one turns up in my size resale one day) / B Sides Lasso jeans in black (got a pair on super sale over the summer, and golly, I love them) / Kronos Quartet Performs Philip Glass (have been listening to P.G. nonstop this month; "Mishima / Closing" every day) / Ersa Dandin Mini Torso pearl earrings / Composition ledger notebook from Choosing Keeping (if I write in a notebook adorned with Renaissance angels will my words be heavenly?) / lucky gold pencil (I will take all the luck I can hold) / Jamie Haller oxblood Belgian loafers / Christina Iversen Shell cup (found at Bona Drag; no. 1 on my coveted-item list) / Valda mint pastilles (because January air is dry) / Daiyo rice bran candles (this post brought to you by my new painfully twee/self-indulgent practice of lighting a tiny candle and writing whatever comes to mind until it burns out.)

Add post to Blinklist Add post to Blogmarks Add post to del.icio.us Digg this! Add post to My Web 2.0 Add post to Newsvine Add post to Reddit Add post to Simpy Who's linking to this post?

odds and ends / 1.9.2025 9 Jan 8:31 AM (3 months ago)













Alice Neel, "Snow in Vermont," 1975.

*

Beguiling grainy image of a pinecone mobile found on Pinterest; I can't determine the source, but I'd like to make one.

*

Garry Knox Bennett, "Granny Rietveld." Via Commune Design.

*

Ivor Cutler, "A Clock." Via stopping off place.

*

Snowy scene by Wanda Gág, captured by Claire Zarouhee Nereim. (I wish I could have seen the exhibit at the Whitney.)

*

Frances Palmer's bulbs.

*
It’s winter now, some months after the phoebes outside have built their nest, raised a family, and moved on. Bitter cold, snow on the ground, blue jays crowding the feeders clownishly while the little birds—chickadees and nuthatches and tufted titmice, downy woodpeckers and yellow-bellied sapsuckers—wait anxiously for the bullies to leave so they can begin their own meal. You might think you know something about me now from the highly redacted scraps of personal anecdote I started with—but really, I could have written anything, shaped those glimpses however I wanted, and you wouldn’t know. 
You know far more about me from how I’ve been writing here ... You know what books I’ve loved and why I love them. You know I like birds, you know I watch them, you know I live in a place sufficiently rural to have trees and phoebes. You know many of my days resemble one another, and that I have a house, and that I must not be commuting daily to a job—which in turn suggests I have some other way to make an income. You know I have enough free time to look outside and note down what I see, and that I value both actions. 
And beyond those relatively simple facts, you have a sense of my sensibility: my emotional makeup, my responses to the world, my obdurate insistence on revising and revising again. What I notice, what I pay attention to.

Andrea Barrett, "Energy of Delusion," excerpted from Dust and Light: On the Art of Fact and Fiction in Harpers, January 2025. 

The inside covers of the notebooks were used to save a substantial collection of news clippings, an off-beat record of the world through those years of writing the book. There are pressed leaves, wildflowers, feathers of owls and colourful parrots and lorikeets, swans, finches, cockatoos, picked up on walks, hundreds of walks, of walking alone while deep in thought, that in the end, amounted to much of what went into creating this book. The feathers alone form a catalogue of walking through many seasons in different parts of the country.

You will find in these notebooks: broken wings of butterflies, such as the brown forest butterflies found in the summer months when the woods were abundant with their dance; travelling beetles crawling in their hundreds in the leaf litter. This collection was a part of much more. All these objects were studied and, if not intentionally, were thought about as works of scale as were the patterns on a butterfly wing which are composed of millions of scales, grandiose designs developed over aeons of time. All of these collected objects were a reminder of being grounded while facing the realities as we have done in the past, and will do so in the future in dealing with other major concerns which hold no beauty, nor added comfort to our combined humanity.

Alexis Wright, "Dream Geographies." HEAT, Series 3, number 16, September 2024.

*
Friends have begun to call, and tell us they’ve lost their homes. One said he had forgotten his passport, but he had the family dog, and he’d managed to save his child’s beloved stuffed walrus (named “Walrus”). They’d rebuild with that, he told me.

*

Looking out the window into the snow and thinking of Los Angeles. 

Add post to Blinklist Add post to Blogmarks Add post to del.icio.us Digg this! Add post to My Web 2.0 Add post to Newsvine Add post to Reddit Add post to Simpy Who's linking to this post?

poem for the new year 1 Jan 3:56 AM (4 months ago)



Darrell Gray, via drifting lament.

*

Edvard Munch, "The Sun." 1910.

Add post to Blinklist Add post to Blogmarks Add post to del.icio.us Digg this! Add post to My Web 2.0 Add post to Newsvine Add post to Reddit Add post to Simpy Who's linking to this post?

branches and wire 25 Dec 2024 9:15 AM (4 months ago)









Photos of kids in Berlin with Christmas tree branches, 1961. Taken by Paul Schutzer for LIFE and originally posted 12/19/2011, then again 12/22/2017.

Add post to Blinklist Add post to Blogmarks Add post to del.icio.us Digg this! Add post to My Web 2.0 Add post to Newsvine Add post to Reddit Add post to Simpy Who's linking to this post?

imaginary outfit: jólabókaflóð 2024 + wish-listed books for 2025 24 Dec 2024 5:00 AM (4 months ago)

 



Where has the time gone? I'm trying to resist feeling frantic; the days have seemed even shorter than usual for December, and many of the things I like to do this time of year are only partway finished or yet to be done. Oh well. They'll be just as enjoyable in the slow week between Christmas and New Year.

I'd like there to be five extra hours in the day today, and I'd love to spend a few of them in a bar—specifically, Auntie Mae's Parlor in Manhattan, Kansas. I stopped there on my big cross-country drive in August, inspired by "Somebody, Somewhere." The drinks were excellent, the atmosphere laid-back, and they had little glasses stuffed with old Trivial Pursuit cards: idyllic. I'd order a whisky sour and sit and read, or at least pretend to read while I eavesdropped on the conversational hum of people drifting in and out. And I'd take along some sort of treat for the folks behind the bar.

What book to bring? Rootling through my to-read pile, which has attained vast and terrifying dimensions, I find novels about questioning perception written by a collective"weaving, programming, and pioneering women," and a fantasy originally published in 1981. There is a book about faux mountains, another about mountain hoaxes, and a new volume of apologies for stolen rocks. A beautiful edition of two special poems is in the mix, along with a memoir of life with 1,117 pomegranates, recipes for candied fruits, and an exhibition for a show I wish I could have seen. I find this collection of études, though I cannot play them, these photographs of apple trees, and while I'm dreaming, a first edition of Villette. I've somehow turned up a copy of this sold-out work, which is "a loose compendium of photographs and texts that picture, examine, explore, and / or suggest the human body in states of abandon, helplessness, terror, subjugation, serenity, and transcendence" and this "history of feminist designs for American homes, neighborhoods, and cities," described by Paul Goldberg as"full of things I have never seen before, and full of new things to say about things I thought I knew well." And Yoko Ogawa, one my favorite living writers, recommended this two-parter, saying it "portrays with devastating immensity how those on the dark fringes of society can be consumed by the darkness of their own hearts."

Wishing us all the ability to escape the darkness.

Merry everything, friends.

*

Baserange Mea beanie / Atelier Delphine Mana coat in porcini / Vintage wool skirt from Plain Goods / Rodebjer black Cisne ribbed turtleneck / Ersa Dandin mixed pearl earrings / Cirque mother-of-pearl nail polish / The Eleven Associates of Alma-Marceau published by Anomie Press / mendiant shortbread from Nature's Candy / Rosa Mosa Leo shearling clogs / cashmere knee-high socks.

*
Other jólabókaflóðs (Yule book floods).


Add post to Blinklist Add post to Blogmarks Add post to del.icio.us Digg this! Add post to My Web 2.0 Add post to Newsvine Add post to Reddit Add post to Simpy Who's linking to this post?

gifts for somewhat practical aesthetes 12 Dec 2024 7:37 AM (4 months ago)

































An efficient all-in-one hat and scarf by Xenia Telunts, available at Folk

tree curtain by random clichés, for greenery that never needs watering.

Fleurs D'Hiver herbal tea lollipops, for a particularly lovely cup of tea.

An aluminum coffee pot by knindustrie, to add flourish to a daily ritual.

Kumihimo silk-braided eyewear straps by Noriko Yuki, for keeping readers close.

A minimalist cookie zine
 with just four recipes, each inspired by an artist: Halva af Klint, Sonia Dough-lanay, Anise Albers, and Almond Thomas.

paper fan that recalls a sunlit forest canopy, for lo-fi a/c.

spiraled basket made of coppiced willow by Rachel Bower Baskets, for corralling a collection of handmade wooden spoons.

A hand-drawn custom lampshade (or café curtains) by Swordbreaker Garments, for an artful glow.

An easy-to-find-at-the-bottom-of-bags Caro pen by Craighill, and an Ina Seifert lanyard to keep it (and keys) handy.

chair by Cultivation Objects that recalls telephone seats, for texting and word games.

A cherry wood cable wrap by Naoto Yoshida, for keeping cords neat.

Miriam Murri's dog-waste bag dispenser for Alessi, for putting a little shine on a most unpleasant chore. 

A cheery and sturdy Hender Scheme tissue case, because tissue manufacturers seem driven to choose THE WORST patterns for tissue boxes. Why?!!!!

Add post to Blinklist Add post to Blogmarks Add post to del.icio.us Digg this! Add post to My Web 2.0 Add post to Newsvine Add post to Reddit Add post to Simpy Who's linking to this post?

gifts for the spaced-out 10 Dec 2024 10:48 AM (4 months ago)
























A glassy glimpse of celestial bodies by ilikoiart, for extraterrestrial gazing.

An eclipse viewer made for the total solar eclipse of January 4, 1925: "Of all the wonders of astronomy, there is no spectacle more fascinating than the total eclipse of the sun."

One solar system for suspending (Tour D'Horizon solar system mobile) and another one for wearing (Kapital Universe gabbeh scarf).

A bottle of ink the color of moon dust—Jacques Herbin Pouissiere de Lune

A Keplerian solar telescope, for spotting sunspots.

A dish of stars, by Astier de Villatte.

Victorian Man-in-the-Moon moonstone and diamond earrings, for hanging the moon.

The 2025 Sora daily calendar, for keeping track of lunar phases.

A top made of vintage Japanese embroidered silk Obi that shimmers like starlight, from Stitch and Tickle.

Marking Time by Chris McCraw, for seeing the mark of the sun, or this book by Emily Sheffer, for seeing the mark of the moon.

An Astroblaster, for demonstrating gravitational rebound (and understanding supernovas).

fragrance based on a scent NASA developed "to train astronauts on how Outer Space actually smells."

Dendera's double-layered shifting maze, for navigating ancient constellations.

A card by Noat that tells it like it is. (There are stars inside.)

Add post to Blinklist Add post to Blogmarks Add post to del.icio.us Digg this! Add post to My Web 2.0 Add post to Newsvine Add post to Reddit Add post to Simpy Who's linking to this post?

gifts that warm 6 Dec 2024 8:38 AM (5 months ago)






















Nippon Kodo's porcelain animal incense burner, for wafting scents. (In addition to this dreaming rabbit, there is also an extremely charming cat.)

Twelve pieces of Grasmere gingerbread, plus a jar of rum butter, for gentle heat.

Handmade and reusable Mino Washi paper snowflakes, to make any day a snow day. (Photo found here; also available via the Cooper Hewitt shop.)

A draft-proof lantern, for a steady glow. 

A basket-making kit from Underwater Weaving Studio, because handcrafts counteract doomscrolling's chill.

Sheepskin slipper boots, for toasty toes. 

A mug by Bjarni Viðar Sigurðsson with a micro-milled stir-in mix for the coziest drink.

Amente's blanket coat, for bundling up, and Nishiguchi Kutsushita alpaca leg/wrist-warmers, to block drafts.

Kinto's Aqua Cuture vases, because a glimpse of green and growing things is always a light.

The Details of Our Escape, a roleplaying game that encourages players to think about communities and possible futures as they guide a caravan of 2,000 people searching for a new home. (Discovered thanks to Karissa's newsletter.)

A paper fireplace with sea-salt chocolate logs, to keep the home fires burning.

Add post to Blinklist Add post to Blogmarks Add post to del.icio.us Digg this! Add post to My Web 2.0 Add post to Newsvine Add post to Reddit Add post to Simpy Who's linking to this post?

gifts for wild swimmers 5 Dec 2024 5:05 AM (5 months ago)



























Endura's oversized insulated dryrobe, for quick changes in cold weather. (Voited's and Vivida's cozy insulated changing robes also caught my eye, as did Sand Cloud's terry poncho for warmer days.)

A Irish crofter's storm kettle, for brewing warming drinks.

Barbara Bosworth's Diana's Baths: a collection of photographs that "evoke the mythological ambiance of a woodland pool."

wooly Donegal hat, always useful.

Neoprene boots, to keep away the chill.

Extra-cozy and plush Pendleton x Snow Peak towels, for drying off. 

A lightweight chair with a square base designed to sit solidly on sandy and pebbly shores.

Charles Sprawson's absolutely mesmeric and singular cultural history of swimming (I love this book) or Waterlog, Roger Deakin's chronicle of swimming "the seas, rivers, lakes, ponds, pools, streams, lochs, moats, and quarries" of Britain.

jumbo nylon bag, for schlepping wet towels and gear.

A sink-or-float thermometer, for calculating how long to stay in.

A rig and a spout from bottleshower, for quick rinses.

A handy Geoffry Fisher brush, for knocking off dried-on detritus.

Delicious coffee toffee, as a reward for taking the plunge, if the endorphins are not enough.

A trip to Iceland to snorkle in the gap between two continents. 

Add post to Blinklist Add post to Blogmarks Add post to del.icio.us Digg this! Add post to My Web 2.0 Add post to Newsvine Add post to Reddit Add post to Simpy Who's linking to this post?

gifts for knowledge-hungry and nonsense-loving nine-year-olds 4 Dec 2024 6:10 AM (5 months ago)

 



























A print subscription to The Week Junior, for something interesting to read while they scarf down breakfast.

A programmable Xtron Pro, so that part of screen time is learning how the things that appear on screens come to be.

A kit to make a cake that looks like a strictly regulated and deeply beloved foodstuff.

Assorted candy eyeballs, to give boring foods personality.

Several soft-back volumes from Fantagraphics' brilliantly designed The Complete Peanuts and a nifty Jotblock to encourage comic strip doodles.

The Snakes of Wrath, a tile game that rewards the sneaky and the clever.

Woset Soil, a soft paper clay that can be tinted with paint to make squishable shapes.

A teensy, tiny bar of pure gold that is both treasure and a never-ending math problem, given fluctuating market values.

A lightbulb that makes any room a rainbow.

A fluffy cotton bathrobe, because the nine-year-old I live with is dedicated to his nightly post-bath robe relaxation moment.

A funny bookmark from Humdrum Paper, plus a thick book or three to stash it in.

A kit by Kraul to make a basket cable car, to ferry snacks in and out of cardboard forts. (The Make.Do cardboard tool kit has been a HIT in our house for years now.)

Huggable toilet paper, because it is the silliest thing, and they still sleep with stuffies. 

Add post to Blinklist Add post to Blogmarks Add post to del.icio.us Digg this! Add post to My Web 2.0 Add post to Newsvine Add post to Reddit Add post to Simpy Who's linking to this post?

gifts for all (or at least, some) 26 Nov 2024 9:01 AM (5 months ago)

A full list of the marginally useful (but hopefully amusing!) gift guides compiled on this blog. And just to note: I do not use affiliate links or accept free stuff. These lists are a labor of love.


2024
Somewhat practical aesthetes
The spaced-out
Gifts that warm
Wild swimmers
Knowledge-hungry and nonsense-loving nine-year-olds
Imaginary outfit: jólabókaflóð 2024 + wish-listed books for 2025

2023
Beastly gifts
Measurement and degree
Clarity and reflection
Assorted gifts of varying opulence
Exuberantly eccentric eight-year-olds
Some books that might be worth giving (or getting)
Imaginary outfit: jólabókaflóð 2023 + wish-listed books for 2024

2022
Decadent bathers
Colorful characters
Foodie gifts you should not eat
Stoners
Sweet and salty seven-year-old storytellers
Books that might make good gifts, depending on the recipient
Imaginary outfit: jólabókaflóð 2022 + wish-listed books for 2023

2021
Burnt-out home cooks (who still have to make dinner)
Gifts for studies
Strict pedestrians
Mushroom people
Singular six-year-olds
Imaginary outfit: jólabókaflóð 2021 + wish-listed books for 2022

2020
Imaginary outfit: jólabókaflóð 2020 (and too many books to read in the time allotted)

Practical and fanciful four-year-olds
gifts some mothers may enjoy: 2017 / 2018 / 2019 / 2020 / 2021 / 2022 / 2023 / 2024
birthday gifts for 42-year-olds / 43-year-olds / 44-year-olds / 46-year-olds

*

Christmas rush at the Washington post office. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Photography Collection, The New York Public Library. 1860-1920.

Add post to Blinklist Add post to Blogmarks Add post to del.icio.us Digg this! Add post to My Web 2.0 Add post to Newsvine Add post to Reddit Add post to Simpy Who's linking to this post?

'the continued buzz of wings had a tendency to lull my senses to repose' 25 Nov 2024 9:57 AM (5 months ago)










*

Frithjof Tidemand-Johannessen, "Birds in a landscape." Via le jardin robo.

*

Maynard F. Reece: Plate XI, "Forney Lake." An illustration from Waterfowl in Iowa by Jack W. Musgrove, 1940. Via le jardin robo.

*

Detail of a 22-page birchbark letter, ca. 1908, from Vermont, ca. 1908. Via Haec City.

*

From a conversation between leaves in Bambi: A Life in the Woods, by Felix Salten, 1923.

*

Communists and socialists demonstrating against the far right in Paris, February 12, 1934. Via The London Review of Books.

*

"Shonagon had a passion for lists: the list of 'elegant things,' 'distressing things,' or even of 'things not worth doing.' One day she got the idea of drawing up a list of 'things that quicken the heart.'"

*

In the autumn of 1813, I left my house at Henderson, on the banks of the Ohio, on my way to Louisville. In passing over the Barrens a few miles beyond Hardensburgh, I observed the Pigeons flying from north-east to south-west, in greater numbers than I thought I had ever seen them before, and feeling an inclination to count the flocks that might pass within the reach of my eye in one hour, I dismounted, seated myself on an eminence, and began to mark with my pencil, making a dot for every flock that passed. In a short time finding the task which I had undertaken impracticable, as the birds poured in in countless multitudes, I rose, and counting the dots then put down, found that 163 had been made in twenty-one minutes. I travelled on, and still met more the farther I proceeded. The air was literally filled with Pigeons; the light of noon-day was obscured as by an eclipse, the dung fell in spots, not unlike melting flakes of snow; and the continued buzz of wings had a tendency to lull my senses to repose.

Whilst waiting for dinner at YOUNG'S inn at the confluence of Salt river with the Ohio, I saw, at my leisure, immense legions still going by, with a front reaching far beyond the Ohio on the west, and the beech-wood forests directly on the east of me. Not a single bird alighted; for not a nut or acorn was that year to be seen in the neighbourhood. They consequently flew so high, that different trials to reach them with a capital rifle proved ineffectual; nor did the reports disturb them in the least. I cannot describe to you the extreme beauty of their aerial evolutions, when a Hawk chanced to press upon the rear of a flock. At once, like a torrent, and with a noise like thunder, they rushed into a compact mass, pressing upon each other towards the centre. In these almost solid masses, they darted forward in undulating and angular lines, descended and swept close over the earth with inconceivable velocity, mounted perpendicularly so as to resemble a vast column, and, when high, were seen wheeling and twisting within their continued lines, which then resembled the coils of a gigantic serpent.

John James Audubon, from "Plate 62: The Passenger Pigeon" in Birds of America

*
Every afternoon [the pigeons] came sweeping across the lawn, positively in clouds, and with a swiftness and softness of winged motion, more beautiful than anything of the kind I ever knew. Had I been a musician, such as Mendelssohn, I felt that I could have improvised a music quite peculiar, from the sound they made, which should have indicated all the beauty over which their wings bore them.

Margaret Fuller of Oregon, Illinois, writing in 1843. Quoted at the Friends of the Nachusa Grasslands blog.

*
BETWEEN the years 1872 and 1875 or 1876, eastern Iowa, for a distance of sixty or more miles west of the Mississippi River, witnessed many intermittent flights of the fast dwindling flocks of the Passenger Pigeon. At that time I was not familiar with the stories of the pigeon flights over Ohio and Kentucky territory east of the Mississippi, related by Wilson and Audubon, or, probably, I should have been impressed with the difference between flights occurring prior to 1845 and those between 1870 and 1880. It will be recalled that Wilson and Audubon described the pigeon flocks as being so vast in extent that they darkened the sky for several successive days. As I read their descriptions, the pigeons literally spread a dark blanket of roaring wings over the earth, interfering with the light from the sun to the extent that a twilight condition prevailed not only all day but for several days in succession.

The rapid destruction of the pigeons between the dates mentioned should, one would think, have warned thoughtful students of wild life of the complete destruction of this edible species at an early date, but if fears existed the publications of the period do not appear to have been utilized for the purpose of arousing public interest and concern therein. So to us in the 70's the flights of pigeons seemed tremendous and were wholly without a warning thought or suggestion that the hundreds of thousands, or possibly millions, we saw passing over were but the fast disappearing remnants of the billions that turned day into night much less than fifty years before.

Frank Bond, "The Later Flights of the Passenger Pigeon," The Auk, Vol. 38, no. 4, October 1921.

*
Then he would go out for a walk, wander through the countryside while reciting Sacred scripture to the crows in the fields, the dark murmurations of starlings against the clouds, and as he wandered through the orchards near the river he would think of the miracle of flowing water from the book of Ezekiel: And it shall come to pass, that every living thing that liveth, which moveth, whithersoever the rivers shall come, shall live: and there shall be very great multitude of fish, because these waters shall come thither; for they shall be healed; and every thing shall live whither the river cometh ... And by the river upon the bank thereof, on this side and on that side, shall grow all trees for meat, whose leaf shall not fade, neither shall the fruit thereof be consumed: it shall bring forth new fruit according to his months, because their waters they issued out of the sanctuary: and the fruit thereof shall be for meat, and the leaf thereof for medicine, a passage he had read so often in church, and he would pick a few familiar leaves to make a tisane, then, at length, having made a tour of the village, wondering how all things could so sweetly sing the praises of the Creator and yet also be the mark of His abandonment, he would head back to the presbytery, there to surrender to the gathering night, to dereliction and to hooch.


Mathias Énard, from The Annual Banquet of the Gravediggers' Guild, translated by Frank Wynne. 

*
To find a stronger word for love, a word that would be like the wind, but come from beneath the earth, a word that doesn't need mountains, but dwells in immense caves from whence it travels through the valleys and the plains like water that is not water, like fire that doesn't burn, but shines through and through, like a crystal, which doesn't cut and is instead transparent, pure form, a word like the voices of animals, as if they understand one another, a word like the dead, but all alive again.

Elias Canetti, from The Book Against Death, translated by Peter Filkins.

*

Add post to Blinklist Add post to Blogmarks Add post to del.icio.us Digg this! Add post to My Web 2.0 Add post to Newsvine Add post to Reddit Add post to Simpy Who's linking to this post?

protect the vulnerable and speak the truth / the scene is not desolate 6 Nov 2024 7:42 AM (6 months ago)

You know, I was speaking at a college a few days ago and someone asked, “What will be your mindset if Donald Trump wins?” And I think of it as having two real components: Protect the vulnerable and speak the truth.

When you think about Trump’s declaration of vengeance, he wants to pursue his political enemies. He wants to pursue deportations at a scale that would be terrifying. So you can already see that there are vulnerable populations that will need protection. That includes political dissidents, political opponents that might be vulnerable to a vengeful Department of Justice. That includes immigrants and others who—you know, think about it this way, you’re talking about people who have said, “Hey, look, if there’s a person who is an illegal immigrant, but they have children who are citizens, well, so what? So what? Just sweep them out.” Right?

So there’s going to be this real need to protect vulnerable populations, protect vulnerable people. And then the other thing is, if there’s one thing that we’ve learned, it is very, very difficult to combat large-scale lying and defamation from people who have an immense amount of power and privilege. That is just very difficult because people who come into politics sort of more casually don’t know much about it—they don’t know if someone says yes and another person says no, if one person says up and another person says down—they don’t know how to adjudicate these disputes. And so I think about it in these two ways: protect the vulnerable, speak the truth, and I think of it in this moment as this is a real clarion call moment. At some point we’re going to have to sort of continue to put aside many of the differences that have divided sort of the different elements of the anti-Trump coalition.

I think it’s totally fine to grieve this. It’s totally fine to lament that this has occurred and to grieve that this is where we are as a country. But that’s got to be short, because if we care about justice in this country, there’s going to be a lot of work to do.

David French, "It's Time to Admit America Has Changed," The New York Times (gift link), 11/6/2024.


North Brooklin, Maine,
30 March 1973

Dear Mr. Nadeau:

As long as there is one upright man, as long as there is one compassionate woman, the contagion may spread and the scene is not desolate. Hope is the thing that is left to us, in a bad time. I shall get up Sunday morning and wind the clock, as a contribution to order and steadfastness.

Sailors have an expression about the weather: they say, the weather is a great bluffer. I guess the same is true of our human society—things can look dark, then a break shows in the clouds, and all is changed, sometimes rather suddenly. It is quite obvious that the human race has made a queer mess of life on this planet. But as a people we probably harbor seeds of goodness that have lain for a long time waiting to sprout when the conditions are right. Man’s curiosity, his relentlessness, his inventiveness, his ingenuity have led him into deep trouble. We can only hope that these same traits will enable him to claw his way out.

Hang on to your hat. Hang on to your hope. And wind the clock, for tomorrow is another day.

Sincerely,
E. B. White

Via Letters of Note

Add post to Blinklist Add post to Blogmarks Add post to del.icio.us Digg this! Add post to My Web 2.0 Add post to Newsvine Add post to Reddit Add post to Simpy Who's linking to this post?

uncanny materiality 31 Oct 2024 4:49 AM (6 months ago)





















Andrew Wyeth, "Perpetual Care," 1961.

... [T]he pale, strained face of a girl dressed in white once seemed to Wyeth to be looking out of the high rear window of the Baptist Church across the St. George River. Wyeth, through binoculars, had been studying this church—an echo of Cushing with its frame structure and cemetery monuments mottle orange by lichen. He investigated and found nobody there. But the powerful impression remained.

Richard Meryman, Andrew Wyeth, 1968, pg. 104.

*

The Sibyl's Leaves, a set of 46 fortune-telling cards published by William Stoddard of New York, 1833, with a lithographic witch illustration by Edward Williams Clay. Via American Antiquarian.

*

Shibata Zeshin (1807-1891), "Young watermelons and vine," from a group of six lacquer paintings. Via le jardin robo.

*

19th-century Appenzell whitework embroidered cloth, via Newlyn Lowly.

*

Hallway decorations by Nicolaas Maritz in the London home of Anthony Collett, photographed by Michael Sinclair for House & Garden, October 2021.

*

Vernacular owl-shaped birdhouse, ca. 1900. Via David Schorsch.

*

Edgar Allen Poe, from "The Bells," in The Bells and Other Poems by Edgar Allen Poe, with illustrations by Edmund Dulac, 1912.

*

Jell-O jack-o-lantern from It’s Dessert Time!, 1953. Via Weird Old Food.

*
A young priest called Walchelin, returning home one clear night in Normandy around a thousand years ago, heard a great clash and din of an army approaching; he assumed it was the soldiers who followed a local warlord, and hid himself in fear behind some medlar trees. But what he saw, instead, was a ghostly troop: first the lay folk, on foot, weighed down by terrible burdens; then the clergy, bishops as well as monks, all black-cowled and weeping; another black-robed, fiery army of knights then rode by, on black chargers. All these numbers of the dead were suffering horrible tortures, the women especially, for they were riding saddles of burning nails, and were being lifted in the air by invisible forces and dropped down again onto the points. Walchelin recognised the procession: it was the familia Herlequini, or Hellequin’s rabble, the grim and unquiet crowd mustered by the lord of the dead, about which he had heard many stories.

The account is dated 1 January 1091 and is the earliest extant literary telling of this phantom army, taken down by Orderic Vitalis, an Anglo-Norman monk, from the report of his colleague, the eyewitness. Walchelin related how he thought he wouldn’t be believed if he didn’t bring back proof, so he left his hiding place and tried to catch and mount one of the riderless black horses going by: the stirrup burned his foot and the reins froze his hand. Fifteen years after his experience, the scars remained, the authenticating brand from the other world: Walchelin showed them to the chronicler.

Marina Warner, "Suffering Souls." London Review of Books, June 18, 1998.

*
Human and puppet limbs are entwined, and there is a sense, both comforting and disconcerting, of a group-individual, like the shadowy figures who merge with the dark in Goya’s Black Paintings. Each puppet is both itself and a small society, and even the puppets’ materiality is uncanny—they are floating, airy creatures weighted by earthly human spirits. The puppeteers are not the only artists giving the puppets life. On a separate platform to the right of the action, three male chanters sit in a neat row, next to men playing the shamisen, a stringed instrument with a raw and piercing tone which is often used in vocal accompaniment. The chanters give the puppets voice with intense and compressed screeches, gasps, and tears of terror, shame, and remorse—but they themselves slip from our awareness. Their disembodied voices operate like a soundtrack, synchronized with puppet gesture and emotion: a sinking chest, the kink of an elbow, a feverish shake.

Jennifer Homans, "The Puppet Masters." The New Yorker, 11/4/2024. 

*
But they had found it in the drawing room. Not that one could ever see them. The windowpanes reflected apples, reflected roses; all the leaves were green in the glass. If they moved in the drawing room, the apple only turned its yellow side. Yet, the moment after, if the door was opened, spread about the floor, hung upon the walls, pendant from the ceiling—what? My hands were empty.

Virginia Woolf, "A Haunted House.

*
Fear seemed to exude from the walls, to dim the mirrors with its clammy breath, to stir shudderingly among the tattered draperies, to impregnate the whole atmosphere as with an essence, a gas, a contagious disease.

Ella D'Arcy, "The Villa Lucienne."

*
The puppies had a pretty good life, except at night when the ghosts that lived in our house came out of the stone-floored pantry, and down from the big cupboard to the left of the chimney breast. Depend upon it, they were not dripping or ladies or genteel; they were nothing like the ghost of drowned Clara, her sodden blouse frilled to the neck. These were ghosts with filed teeth. You couldn't see them, but you could sense their presence when you saw the dogs' bristling necks, and saw the shudders run down their backbones.

Hilary Mantel, "Destroyed."

*
Anno 1670, not far from Cyrencester, was an Apparition: Being demanded, whether a good Spirit, or bad? returned no answer, but disappeared with a curious Perfume and most melodious Twang.

John Aubrey, Miscellanies, 1696.

*

Add post to Blinklist Add post to Blogmarks Add post to del.icio.us Digg this! Add post to My Web 2.0 Add post to Newsvine Add post to Reddit Add post to Simpy Who's linking to this post?

sunday tune: hen ogledd / trouble 27 Oct 2024 3:08 AM (6 months ago)




A grinding jaw
A frantic clawing at the door
A twitching nostril
A nail protruding from the floor
A puff of black smoke
A natterjack croak from the splashing reeds
A string of red beads

Trouble with a capital T ...

Add post to Blinklist Add post to Blogmarks Add post to del.icio.us Digg this! Add post to My Web 2.0 Add post to Newsvine Add post to Reddit Add post to Simpy Who's linking to this post?

circling the sun / birthday gifts some 46-year-olds might enjoy 14 Oct 2024 8:25 AM (6 months ago)


























Wearable October color: Anntian woolskirt in print C. Styled by Judith with a Studio Nicholson Gomes sweater and Caron Callahan Margaret platforms.

Iitala Taiko Sato dinnerplates, designed by Klaus Haapaniemi and Heikki Orvola.

A table-top reflecting pool: Debbie Carlos pond vase.

Shaker-style glasses box.

Adalbert Stifter, The Solar Eclipse of July 8th, 1842, handset and printed by Brother in Elysium.

Mints infused with blessed water. (I will take all the blessings I can find.)

A recording of Charles Ives' "Universe Symphony," "Orchestral Set 2.," and "The Unanswered Question."

Eatable of Many Orders Tin bag.

A wearable, seasonless garden by Kathryn Bentley.

A handful of swallow patches, to give something a little worn new life.

Asparagus candles. (The hazelnut cake with concord grape jam buttercream and filling that I spent the last two days making was a total bust BUT I am still gonna blow out some candles tonight!)

Bumper sticker by Nate Hooper for Working Loose, because to live is to spiral.

Add post to Blinklist Add post to Blogmarks Add post to del.icio.us Digg this! Add post to My Web 2.0 Add post to Newsvine Add post to Reddit Add post to Simpy Who's linking to this post?