Ianlynam - ianlynam.com - Ian Lynam Design
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Idea #360 11 Aug 2013 | 12:18 pm
Idea Magazine #360 features a 96-page feature that I edited, designed and wrote big chunks of. For a week, Idea Editor-in-Chief Kiyonori Muroga and I stayed in Valencia, the home of CalArts, to “work...
Idea #360 11 Aug 2013 | 12:14 pm
Idea Magazine #360 features a 96-page feature that I edited, designed and wrote big chunks of. For a week, Idea Editor-in-Chief Kiyonori Muroga and I stayed in Valencia, the home of CalArts, to “work...
08.11.2013 11 Aug 2013 | 10:33 am
The latest issue of Idea Magazine – #360 – is out now. It features a 96-page feature that I edited, designed and wrote big chunks of. For a week, Idea Editor-in-Chief Kiyonori Muroga and I stayed in ...
Slanted Babylon 29 Jul 2013 | 10:37 pm
I have a feature in the new issue of Slanted Magazine that was published for the Babylon type conference in Bangkok. It’s a bit different than the usual stuff I do for Slanted – no design criticism, d...
07.27.2013 27 Jul 2013 | 08:56 am
I’ve put together a 44-page booklet of recent graphic design and typography-related writing for the upcoming Letterfirm exhibition at TypeCon. The booklet, printed with loving care by Portland’s amazi...
07.24.2013 23 Jul 2013 | 08:43 pm
I have a feature in the new issue of Slanted Magazine that was published for the Babylon type conference. It’s a bit different than the usual stuff I do for Slanted – no design criticism, design hist...
07.22.2013 22 Jul 2013 | 01:35 pm
Our type foundry Wordshape is now offering all of our fonts over at Creative Market.
06.15.2013 15 Jul 2013 | 09:15 am
A nice sample of our typeface family Vaud in use by the awesome Hugo Roussel at Studio Punkat for le maison de Jean Prouvé in Nancy.
07.11.2013 11 Jul 2013 | 08:12 am
We’re very pleased to announce that we’ve partnered with Indian Type Foundry, offering our foundry Wordshape’s digital typefaces to Indian customers from ITF’s website. Satya Rajpurohit, ITF’s princip...
06.25.2013 24 Jun 2013 | 09:07 pm
Whie no one was looking, we have slipped out our new identity. In lieu of a solitary logo, we have crafted a collection of characters derived from assorted symbologies and syllabaries that functions ...
